{"id":274,"date":"2020-07-11T18:23:39","date_gmt":"2020-07-11T16:23:39","guid":{"rendered":"http:\/\/2020.furorefestival.com\/?page_id=274"},"modified":"2020-07-23T10:02:54","modified_gmt":"2020-07-23T08:02:54","slug":"senke","status":"publish","type":"page","link":"https:\/\/2020.furorefestival.com\/en\/artists\/senke\/","title":{"rendered":"Senke"},"content":{"rendered":"<h1><strong>Senke<\/strong><\/h1>\n<img loading=\"lazy\" width=\"512\" height=\"507\" class=\"alignnone size-medium wp-image-476\" src=\"http:\/\/2020.furorefestival.com\/wp-content\/uploads\/senke-512x507.jpg\" alt=\"\" srcset=\"https:\/\/2020.furorefestival.com\/wp-content\/uploads\/senke-512x507.jpg 512w, https:\/\/2020.furorefestival.com\/wp-content\/uploads\/senke-768x760.jpg 768w, https:\/\/2020.furorefestival.com\/wp-content\/uploads\/senke-640x634.jpg 640w, https:\/\/2020.furorefestival.com\/wp-content\/uploads\/senke.jpg 900w\" sizes=\"(max-width: 512px) 100vw, 512px\" \/>\n<p><strong>Photo (c) &#8211; Sarah Degenhardt<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Senke is an audiovisual 2-channel installation conceived for a face-to-face situation. Whereas the two projected sides of the room are in constant movement, the other sides form the fixed limitations of the room.<\/p>\n<p>Blue and white curtains and abstracted surfaces push themselves into the frame of the projected image from right, left, above, or below, a slow and precise choreography that opens and closes the room. The sound, which consists largely of recordings of waterfalls, gives evidence of different constitutions of spatiality that are being interjected into the exhibition space.<\/p>\n<p>Visually, a blue curtain serves as source material for the videos, in some sections disfigured beyond recognition.<\/p>\n<p>The collaboration of image and sound evokes the question of distance and a space behind. The exhibition space is constantly being transformed in its dimensions, its atmosphere and its density, floating in a state between undefined vastness and sharp closure.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Team<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sarah Degenhardt\u00a0<\/strong>(Concept, Image, Sound, Cut)\u00a0 born 1992 in Memmingen, Germany, was raised in the german region Allg\u00e4u auf and studied fine arts in Karlsruhe, La R\u00e9union and Paris.<\/p>\n<p>Experiences with landscapes, nature and their impact on humans and their habitus are the base and foundation of her works.<\/p>\n<p>In her working process, she abstracts these experiences into dense, reduced images that are manifested in audiovisual multichannel installations, paper art and sculptures. She always works with the architectural constitution of the exhibition space, which is either found or sparking the process, or is transformed specially for her work.<\/p>\n<p>Space, rooms, reference points and the moment when everything shifts are elements that have always interested her in her goal to lead the spectators into a glitch in the usual order of space, a glitch that follows its own, evershifting laws.<\/p>\n<p><a href=\"https:\/\/sarahdegenhardt.com\/\">https:\/\/sarahdegenhardt.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Senke Photo (c) &#8211; Sarah Degenhardt &nbsp; Senke is an audiovisual 2-channel installation conceived for a face-to-face situation. Whereas the two projected sides of the room are in constant movement, the other sides form the fixed limitations of the room. Blue and white curtains and abstracted surfaces push themselves into the frame of the projected&hellip;","protected":false},"author":2,"featured_media":476,"parent":397,"menu_order":28,"comment_status":"open","ping_status":"closed","template":"","meta":{"inline_featured_image":false},"acf":[],"_links":{"self":[{"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/pages\/274"}],"collection":[{"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/comments?post=274"}],"version-history":[{"count":15,"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/pages\/274\/revisions"}],"predecessor-version":[{"id":812,"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/pages\/274\/revisions\/812"}],"up":[{"embeddable":true,"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/pages\/397"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/media\/476"}],"wp:attachment":[{"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/media?parent=274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}