{"id":278,"date":"2020-07-11T18:24:46","date_gmt":"2020-07-11T16:24:46","guid":{"rendered":"http:\/\/2020.furorefestival.com\/?page_id=278"},"modified":"2020-07-23T10:02:54","modified_gmt":"2020-07-23T08:02:54","slug":"on-the-first-night-we-looked-at-maps","status":"publish","type":"page","link":"https:\/\/2020.furorefestival.com\/en\/artists\/on-the-first-night-we-looked-at-maps\/","title":{"rendered":"On the first night we looked at maps…"},"content":{"rendered":"

On the first night we looked at maps |<\/strong><\/h1>\n

LOS ALEMANES DEL VOLGA
\n<\/strong><\/h1>\n\"\"\n

Photography (c) Jana Kiesser<\/strong><\/p>\n

 <\/p>\n

Upon a table: Photographs, maps, and a hymn book. The audience sits around the table in a circle, mat\u00e9 tea is offered. A gay couple are the hosts. The topic is the history of the Volga Germans, 18th-century emigres to Russia who, a century later, continued their travels on the American continent. In such a homely atmosphere, the past is explored in order to discover a new future in which queer heritage becomes possible.<\/p>\n

 <\/p>\n

Team<\/strong><\/p>\n

 <\/p>\n

Wenzel U. V\u00f6cks<\/strong> (Research, Text, Performance) studied theater sciences and art history at the Free University of Berlin and at the Universit\u00e0 Roma Tre in Rome. As director and assistant director, he has worked at houses such as the Komische Oper Berlin, the Teatro alla Scala, the Opera Vlaanderen, and the Op\u00e9ra Comique in Paris. His directorial debut, a production of Handel’s \u201cAci, Galatea e Polifemo\u201d was staged in numerous Berlin clubs. Since the fall of 2019, he has been concentrating on his independent artistic work.<\/p>\n

www.wenzel-u-voecks.com<\/a><\/p>\n

 <\/p>\n

Federico Schwindt<\/strong> (Research, Text, Performance) studied theater directing at the the Universidad Nacional de las Artes Buenos Aires. He began his career in the Buenos Aires independent scene, where staged both works by well-known authors (such as Frederico Garcia Lorca’s \u201cBlood Wedding\u201dat the Teatro del Viejo Palermo) and his own pieces (including among others \u201cSeguridad\u201d at the Teatro El exc\u00eantrico de la 18). Since moving to Berlin in 2015, he has dedicated himself to performative research and productions of his own texts (such as \u201cHawaiian Fragments\u201d at the Acker Stadt Palast, and \u201cArtes Moriendi \u2013 Ways of Dying\u201d at Berlin’s 2018 Performing Arts Festival).<\/p>\n

www.federicoschwindt.com<\/a><\/p>\n

 <\/p>\n

In Cooperation with TATWERK | Performative Forschung (Berlin)<\/p>\n

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