{"id":402,"date":"2020-07-13T15:43:20","date_gmt":"2020-07-13T13:43:20","guid":{"rendered":"http:\/\/2020.furorefestival.com\/?page_id=402"},"modified":"2020-07-23T10:02:54","modified_gmt":"2020-07-23T08:02:54","slug":"in-the-solitude","status":"publish","type":"page","link":"https:\/\/2020.furorefestival.com\/en\/artists\/in-the-solitude\/","title":{"rendered":"In The Solitude"},"content":{"rendered":"<h1>In The Solitude<\/h1>\n<img loading=\"lazy\" width=\"512\" height=\"341\" class=\"alignnone size-medium wp-image-466\" src=\"http:\/\/2020.furorefestival.com\/wp-content\/uploads\/in-the-solitude-c-radovan-512x341.jpg\" alt=\"\" srcset=\"https:\/\/2020.furorefestival.com\/wp-content\/uploads\/in-the-solitude-c-radovan-512x341.jpg 512w, https:\/\/2020.furorefestival.com\/wp-content\/uploads\/in-the-solitude-c-radovan-1024x683.jpg 1024w, https:\/\/2020.furorefestival.com\/wp-content\/uploads\/in-the-solitude-c-radovan-768x512.jpg 768w, https:\/\/2020.furorefestival.com\/wp-content\/uploads\/in-the-solitude-c-radovan-640x427.jpg 640w, https:\/\/2020.furorefestival.com\/wp-content\/uploads\/in-the-solitude-c-radovan.jpg 1200w\" sizes=\"(max-width: 512px) 100vw, 512px\" \/>\n<p><strong>Photo (c) &#8211; Radovan<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>In the Solitude is a director&#8217;s variation on Bernard-Marie Kolt\u00e9s play &#8220;In the Solitude of Cotton Fields.&#8221; The director reinterprets this philosophical play and its desire to discuss &#8211; through a personal prism &#8211; themes such as alienation, joy, relationships, contact, and conformity.<\/p>\n<p>The play, as well as the variation progressively follows a developing relationship between two men in a tense trade\/deal situation. Dialogue is reduced to logical lines such as desire, death, value, love. The play closely follows the character transformations of Dealer and Client. Their mutual differences become insignificant, fall apart in the end and thus they become equal partners for dialogue, trade, relationship.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Team<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Franti\u0161ek Ma\u0148\u00e1k<\/strong>\u00a0 graduated from Jan\u00e1\u010dek Academy of Performing Arts in Brno in 2018 from the Drama acting class led by Luk\u00e1\u0161 Rieger. At the moment he is a freelancer with a part time contract with Slov\u00e1ck\u00e9 divadlo. Apart from theater projects he also participates in short movies, series, recording voiceovers, hosting shows, proms and competitions.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mark Kristian Hochman<\/strong> finished his studies at Jan\u00e1\u010dek Academy of Performing Arts in Brno in 2018 at the Drama acting class lead by Luk\u00e1\u0161 Rieger. He is currently working full-time in one of the most famous Czech theatres &#8211; HaDivadlo in Brno.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Martin Hodo\u0148<\/strong> graduated from Jan\u00e1\u010dek Academy of Performing Arts in Brno in 2019 where he studied Directing and Dramaturgy, under the mentorship of prof. Josef Koval\u010duk. At that time he started doctoral studies at the Slovak Academy of Science, department Theatre Studies in Bratislava. His artistic work is based on the mutual relationship between performance and performing art.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Michal H\u014dR Hor\u00e1\u010dek<\/strong> is a multimedia artist. The range of his work includes theater and film projects, lighting installations and extensive photography. He presented and exhibited his work at solo exhibitions in New York, Berlin, Barcelona and many other places. He is also creator and co-creator of a number of theater and multimedia projects.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"In The Solitude Photo (c) &#8211; Radovan &nbsp; In the Solitude is a director&#8217;s variation on Bernard-Marie Kolt\u00e9s play &#8220;In the Solitude of Cotton Fields.&#8221; The director reinterprets this philosophical play and its desire to discuss &#8211; through a personal prism &#8211; themes such as alienation, joy, relationships, contact, and conformity. The play, as well&hellip;","protected":false},"author":2,"featured_media":466,"parent":397,"menu_order":21,"comment_status":"open","ping_status":"closed","template":"","meta":{"inline_featured_image":false},"acf":[],"_links":{"self":[{"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/pages\/402"}],"collection":[{"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/comments?post=402"}],"version-history":[{"count":13,"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/pages\/402\/revisions"}],"predecessor-version":[{"id":847,"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/pages\/402\/revisions\/847"}],"up":[{"embeddable":true,"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/pages\/397"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/media\/466"}],"wp:attachment":[{"href":"https:\/\/2020.furorefestival.com\/en\/wp-json\/wp\/v2\/media?parent=402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}